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1. #Spectrasonics trilian 2 update#
2. #Spectrasonics trilian 2 Patch#
3. #Spectrasonics trilian 2 software#
4. #Spectrasonics trilian 2 professional#

As the Orb moves around the concentric circles, it morphs between automatically generated parameter scenes in Omnisphere’s STEAM engine in a highly intelligent and musical manner - all patch dependent - manipulating the sound in subtle or radical ways appropriate to that particular patch. The user simply moves the Orb cursor with a mouse, a MIDI controller or in the case of an iPad, with fingers directly on the Orb itself. Best of all, the Orb automatically works with every patch a user has, there’s no setup necessary. The innovative “Orb” feature of Omnisphere 1.5 is both a remarkable sound manipulation tool and an intuitive performance interface - it can be thought of as a ‘circular controller.’ Now with a single click of the mouse, the user can instantly customize the sound. At the center of the Granular Zoom interface is a new real-time ‘Granular Visualizer’ showing a colorful graphic model of the effect of parameter edits, all of which makes Omnisphere's complex Granular synthesis easier to understand and more fun to use. Omnisphere's Granular synthesis area has been made significantly more powerful by including new ‘Speed’ and ‘Position’ modes, which create dramatic polyphonic shifts through the audio and time spectrums. The Waveshaper now includes more extreme sound mangling capabilities with the new polyphonic “Crusher” and “Reducer” modules, which include ‘Animation’ and ‘Force’ parameters that can all be modulated. Harmonia can create extremely rich sounds by adding up to 10 oscillators per patch with new independent modulation possibilities on each oscillator. Omnisphere 1.5 includes new and expanded synthesis capabilities, with newly designed “zoom” interface views for Harmonia, Waveshaper and Granular synthesis areas.

#Spectrasonics trilian 2 update#

The new version also includes a significant update to the factory patch library - 780 brand new patches which take advantage of all the new sound design capabilities and brings the total number of included sounds to over 8,000. The update also includes many important user-requested features such as the new 5-Column Browser view and support for polyphonic aftertouch. We are proud to announce a major new version of our award-winning Power Synth Omnisphere® - which includes a host of new features, in particular a new interactive interface called “The Orb” offering stunning real-time synthesis manipulation capabilities, along with many deeply expanded additions to the synthesis engine and user interface.

In 2011, Persing and his team accepted the TEC Award for "Best Musical Instrument Software" for Omnisphere version 1.5. Important influences for Persing are Vangelis, Kraftwerk, Jan Hammer, Yes, Genesis and Thomas Dolby. Even today, his sounds can be heard in many productions.Īt the 2011 NAMM Show, as part of a joint promotion with the Bob Moog Foundation, Persing exhibited the OMG-1 synthesizer, a unique synthesizer of his own design that integrated a Moog Little Phatty with an Apple Mac Mini and two iPads running virtual instruments, all housed in a custom curly maple cabinet. Persing started working for the Roland Corporation as Chief Sound Designer from 1984 to 2004, where he worked on many influential synthesizers and music-related products such as the Roland D-50, the JD-800, the Roland JX, JV, JP, XP series synthesizers and many others. He has been a major contributor to all of Spectrasonics' products, including Omnisphere, Keyscape, Stylus RMX, Trilian, Atmosphere and Trilogy.

#Spectrasonics trilian 2 software#

He is best known as the Founder and Creative Director of the music software and virtual instrument company Spectrasonics.

#Spectrasonics trilian 2 professional#

Eric Persing showing off his OMG-1 synthesizerĮric Persing is a sound designer, professional synthesist and producer in Los Angeles, California.